Monday, 5 March 2018

A Little Whimsy and a Lot of Play

      

Hello there, my creative friends! I’ve been having fun over on the Paperartsy blog again, this evening. This time, I’ve been a bit more whimsical with a stamp set (ECL09) and stencil (PS023) from Clare Lloyd.  

    

I started by scraping some Dina Wakley paints over Smoothy card with an old gift card, letting the colours overlap a little. Then, placing the stencil in different directions, I removed some paint with a baby wipe to ‘grunge up’ the background.


Then added some black for a bit more interest with the edge of a palette knife.


I stamped the lovely girl with Versafine Onyx black and shaded her using a Derwent Inktense pencil in Deep Indigo. I love the effect of the monotone focal point on a brightly painted background.


All I had to do was fussy-cut her out, smoosh the edges with Archival ink in Cobalt and stick her down...


...along with the fab sentiment.


I just love the effect of subtracting the colour in the background.


I finished by edging the whole piece with some more Cobalt Archival ink and matting on dark blue cardstock. 

It’s been a refreshing change working with Clare’s stamps and stencils. I’m sure I’ll get loads of mileage from them. Why not try a different designer for yourself? A full list of  stockists are over on the Paperartsy blog right now. Have fun!

Love and peace,

Wendy x



Sunday, 21 January 2018

PaperArtsy - Tracy Scott New Release - January 2018



Hello, crafty friends. This evening, I’m bringing you some examples of what you could do with the latest release from Paperartsy and Tracy Scott. As you would expect, Tracy’s new stamps and stencils will transform any project into something extra special. 


PS089

I used this stencil on a gel plate and then doodled on it with a white gel pen. So relaxing. Then I cut it into four squares and repositioned it onto a mat or two. 



PS087 & ETS14

More monoprinting with a gel plate, then I stamped the gorgeous scribbly flower and stem on top. I highlighted the stencil parts that were in the centre of the flower with a white gel pen and darkened the shadows with some Gelatos.


PS087, PS088 & PS089

Here, I began with a brayered background, then stencilled over the top with a dark blue paint. I used the outer part of PS087 to line the edges with white paint sponged through. Then out with the white gel pen and a black fineliner to polish things off. This time, I added some Zentangles for a different effect. These stencils are so versatile. This will make a perfect journal cover.


ETS 14

On a monoprinted background, I stamped the scribbly circles and collaged the centres from some book pages.  More highlights and shadows with Gelatos and Bob's your auntie's live-in lover. I'm definitely using these for postcards.


How about some more gel printing? 


ETS 16

After brayering teal and acid green onto the gel plate, I used the stamps to transfer colour from one half to the other. These are totally tropical flowers and worked beautifully for this method.



ETS17

On a separate sheet of Smoothy card, I stamped this lovely image and painted her with the same colour scheme as the rest of the projects. Then I fussy-cut the image and stuck her down. This way, I could choose which part of the background made her pop.


I also painted and cut the headdress a second time with a view to popping it up on the girl's head for some more dimension. However, it reminded me of a bird of paradise, so with a little addition for the head, nicked from ETS19, I turned it into just that.

Once you start, you can't stop. That's the Tracy Scott effect....





 ATCs


Valentine Card




Inchies




Selection of cards

Quickly skimming over the rest of the projects, (otherwise we'll be here all night!) my favourites turned out the be the inchies. I finished them off with about three coats of Glossy Accents and left the bubbles in because I liked them.

I hope I've inspired you to try Tracy's new releases for yourselves. The possibilities are endless. I'll be using them for a very long time to come.

Visit Paperartsy blog for a full list of retailers who stock the latest fabulous release from Tracy Scott.

Love and peace,

Wendy x



Monday, 25 September 2017

"Beautiful" metallic book {Paperartsy Blog}

   

Hello again, my friends. I'm over on the Paperartsy blog tonight, sharing a fabulous book with a metallic look. This combines many of my favourite things, such as bookbinding, monoprinting, doodling and, of course, Paperartsy and Emma Godfrey's stamps and stencils. 

  

Luckily for me, all my pink and purple shades of Fresco acrylics are all in the same box. That made things easier.


I unearthed my mini hexagonal Gelli plate, something I hadn't used before, despite buying it several months ago! Then, alternating the first four purple colours, Blueberry, Purple Rain, Lavender and Wisteria, I used the gel plate as a stamp. I wasn't bothered about the little bits that missed. I think that adds to the effect. Anyway, they eventually get covered with stencilling. I carried on filling the Smoothy Card with the same four colours. 


By placing Emma's gorgeous mask (PM008) over the already printed hexagon, I 'stamped' over it with the same hexagonal plate covered in the first four pink shades of Fresco paints, Plum, Sour Grapes, Sugar Plum and Pixie Dust.


Then, by removing the stencil from the plate, it leaves you with a negative print which you can then press onto the cardstock...


I carried on with positive and negative masking until the whole sheet was filled. Some of the hexagons looked wonderful. Others not so...


Nothing that a black and a white pen couldn't fix though...


Finally, the main part of the cover was done. What it needed now was some flowers! You can never have enough flowers. 



I stamped up a good selection of Emma's flowers using sets EEG14 and EEG22 and painted them using Pansy and Moonlight for the purple flowers and Sherbet and Orchid for the pink ones.
After fussy-cutting the gorgeous blooms and then curling them over a stylus tool, I decided that I wanted a magnetic closure. 


The best placing for the magnets was under a flower and inaside the front cover. 


I made a bookmark from one of the offcuts and its own little pocket inside which would hide the other magnet.


Out with the Treasure Gold in Royal Amethyst. I rubbed it over the edges of the book, the flowers, the bookmark and the pocket.


Everything was looking shiny-shiny and beautiful. Now I just had to put this fabulous book together. The hardest part was tearing the cartridge paper edges. It's a bit rough on your fingers. I laminated the bookmark, then made a tassel and bound the book with silver thread.



I stamped and heat-embossed the "Beautiful" in silver, then gave it a drop-shadow as it had got a bit lost in the madness behind. Then I added the gloriously shiny flowers and, after what seemed like an age, the book was finished. 


Ta-daaa! 

I hope I've inspired some more bookbinding projects with you. I'd love to see whatever beauties you make. Thanks for sticking with me. I promise the next post will be shorter! 

Probably.

Love and peace, 

Wendy x


Monday, 7 August 2017

New House, New Book - Japanese Stab Binding


  

Hello, my crafty friends. I hope everyone is well. Today, on the Paperartsy blog, I'll be showing you how to make a book using Japanese stab binding. Also, of course, using the gorgeous Hot Pick 1601 set of stamps.


I started off with 2 sheets of Smoothy Card and covered each with a layer of Squid Ink Fresco Acrylics. This layer doesn't really have to be painted carefully as we'll be painting over the top. Then make sure it's completely dry before continuing. Step 2 of this part is to thinly cover the painted card with some Crackle Glaze. I used a palette knife to make sure it was a really thin coat. Wait until it's completely dry again. For Step 3, I used different techniques on each sheet. I sponged Stone Fresco Acrylic on the first sheet, giving me delicate cracks on the top layer...


... then painted the same colour quite thickly on the other sheet which gave me stonking great fissures! I prefer the second one. It has fabulous texture, but I needed to stamp on the front cover so I wanted that to be smoother.


I stained around the edges of four separate pieces of mountboard with Vintage Photo Distress Stain - two cover pieces and two spine pieces. Then I set them aside to dry while I finished the covers. You could also use chipboard or Paperartsy's Grey/Whiteboard for this stage.


I used Versamark Ink and the small 'Home Sweet Home' stamp from the same set, then heat set some Ranger Embossing Powder (superfine) in Copper over the top. Oh, how striking does that look? Fab! Everything was just going perfectly...


... until I messed it up in superb style. I'd covered the embossed spine part with Post-it tape while I stamped the houses, beginning at the bottom (Ranger Archival Ink, Coffee.) At the top, I didn't want to only see the bottom of the houses, so I decided to take the 'Home' stamp and fill in the top. My mind had obviously wandered off for a coffee break without telling the rest of me and I stamped it upside down - CLANG!! 


As the great Ralph Steadman once said, "There's no such thing as a mistake." I always view these as creative opportunities and take a different route. Well, I wasn't about to start over! I die cut the words 'first' and 'home' from the offcuts of the covers and also from chipboard (Sizzix Tim Holtz die, Wordplay,) then stuck card to board,...


... went over each piece with Distress Stain (Vintage Photo). I used a paper stump so that I could control the amount of coverage as I still wanted to see the cracks,...


... then I went totally over the top (Who? Me?) and covered all of the letters in Ranger Crackle Accents.


Great decision, if you ask me.


I still had the problem of the upside down 'home'. I had to cover it as it would have been visible under the letter embellishments, yet I still wanted the cracks to show. So I gently dabbed Fresco Stone paint over the top with my finger. I kept doing that in very thin layers until I had a satisfactory result.


Now this was a test for me but, luckily, it worked out really well and is something I will do more in the future. I  stamped the large door from the set onto an offcut from the chunky crackle cover in Vintage Photo Distress Oxide then, because they stay wet a little longer, I covered it in clear embossing powder and heat set it. Wow! I'd like to pretend it was intentional but it was a complete fluke. 


I stuck a mountboard cover and spine piece to each painted cover, leaving 1/8" gap between the two to allow for movement. The spine will not move when it's finished, so the cover part needs to be able to open.


I punched the holes in both covers and also the pieces of cardstock (300gsm, Coffee) I was using for the pages. I used a Crop-O-Dile Big Bite to punch the holes but I would advise using a drill if you can. Then I practiced on a spare piece of board. Each set of three holes is called a 'station'. I started at the second station (from inside the middle page of the book out towards the cover) and worked my way to the far end.


I clamped everything together so that it wouldn't move. Each time the needle comes out of the a hole, wrap it around the spine and go back into the same hole, then onto the next. The thread, string, cord (or whatever you choose to bind with) will eventually pass through each hole three times. Don't worry if it looks like you've missed one, you will catch those on the way back down. At the ends, wrap the cord around the side of the book as well. This will provide the third run through that hole. Then you will easily be able to see where the thread should go next. When you reach the starting point again, simply tie the two ends off.


I chose 1.5mm leather cord to bind my book. Then I stuck the letters and the door in place.


I added shading to the outside of the embellishments with an Inktense pencil (Bark) and blended it out with a water brush.


Ta-daaaaa! One book for my daughter and her fiancé to photo-document their first house renovation. I can't wait to see it when it's full.

I realise this is a very long blog post, and I hope the 10 minutes with feet up was welcome. I will film a demonstration YouTube video to accompany this post very soon, so keep your eyes peeled on this blog.

Do have a go at different stitches for book-binding. It's very satisfying when things go according to plan ...*cough* ...eventually.

Love and peace,

Wendy x

For a list of stockists, please visit the Paperartsy blog.

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